Following last weeks UK and European tour annoucements, Ash have today announced details of a North America tour for September and October. The full list of dates are as follows:
23.09.15 - Johnny Brenda’s - Philadelphia, PA, US
25.09.15 - Jammin’ Javan - Washington, DC, US
26.09.15 - Gramercy Theatre - New York, NY, US
28.09.15 - Subterranean - Chicago, IL, US
29.09.15 - Majestic Theatre - Madison, WI, US
30.09.15 - The Nether Bar - Minneapolis, MN, US
03.10.15 - The Crocodile - Seattle, WA, US
04.10.15 - Biltmore Cabaret - Vancouver, BC, Canada
06.10.15 - Lola’s Room - Portland, OR, US
08.10.15 - Rickshaw Stop - San Francisco, CA, US
09.10.15 - Echoplex - Los Angeles, CA, US
Ash have today announced a co-headline tour of Europe with We Are Scientists. The Masters of the Euroverse tour will start in November and run until early December taking the band to Germany, Italy, France, Norway, Sweden, Netherlands, Denamrk, Austria and Switzerland.
The full list of dates are as follows:
16.11.15 - Melkweg Oude Zaal, Amsterdam, Netherlands
17.11.15 - Bürgerhaus Stollwerck, Cologne, Germany
19.11.15 - Debaser Strand, Stockholm, Sweden
20.11.15 - John Dee, Oslo, Norway
21.11.15 - Pumpehuset, Copenhagen, Denmark
23.11.15 - Gruenspan, Hamburg, Germany
24.11.15 - C-Club, Berlin, Germany
26.11.15 - Backstage halle, Munich, Germany
27.11.15 - Il Covo, Bologna, Italy
28.11.15 - Flex, Vienna, Austria
29.11.15 - Plaza, Zürich, Switzerland
Ash have announced an extensive UK tour for December. The band will play eleven dates in the UK and Ireland with a London show at Shepherds Bush Empire. The band will be supported on all dates by Asylums.
Tickets are on sale from Friday August 7th. Full list of dates as follows:
02.12.15 – Bristol, Bierkeller
03.12.15 – London, Shepherds Bush Empire
05.12.15 – Newcastle, Riverside
06.12.15 – Glasgow, ABC
08.12.15 – Manchester, Ritz
09.12.15 – Wolverhampton, Wulfrun Hall
10.12.15 – Sheffield, Leadmill
12.12.15 – Norwich, Waterfront
13.12.15 – Brighton, Concorde 2
14.12.15 – Cardiff, Y Plas Cardiff University
15.12.15 – Dublin, Olympia
The trio have also announced details of new single “Machinery”, set for release on October 9th. Described by Tim as “probably the most indie pop tune on the record”, it’s “essentially a song about someone in modern times trying to find a real connection” he explains.
Update: The band will play an acoustic instore show at Pie & Vinyl in Portsmouth on August 28th at 4pm.
Ash performed an intimate acoustic live session exclusively for Absolute Radio at the Isle of Wight Festival. The band played “Shutdown” and “Machinery”, which you can watch above. The band were also interviewed which you can view below.
Kablammo has only been out a few weeks but it has already gained widespread praise from critics and fans and propelled the band back in to the spotlight. Here’s a collection of Kablammmo album reviews from around the web:
Ash have been confirmed as the headliners of Chase Park Festival in Wickham, Gateshead on August 8th 2015. Turin Brakes, Beth Macari, Blizzard and Gallery Circus will also appear. Tickets are on sale now.
The band have also announced a special warm up show for Reading and Leeds Festival at the Portsmouth Wedgewood Rooms on 28th August 2015. Tickets will be on sale shortly.
In other news the bands show in Belfast on June 8th has been upgraded to Limelight 1 due to demand, Bad Cavalier will support.
Ash celebrated the launch of new album Kablammo! last night playing a special instore show at Rough Trade East in London. You can view footage of the band plaing “Cocoon” above. The set list ran as follows:
Ash played a secret Kablammo! launch show yesterday afternoon at the Sebright Arms in Bethnal Green, London. The band gave live debuts to several tracks from the new album. The set list ran as follows:
Tim Wheeler spoke to Noisey recently to rank Ash’s current eight studio albums from worst to best. Below is the list along with a brief comment from Tim about each album:
“I don’t really like the recording much, and it’s all the songs we had from our first two years in the band. I guess it was the best songs we had, except from “Girl From Mars,” which we held back on purpose. Listening to it I think half of it is good and half of it isn’t so good.”
“We got to record it in LA at Sound City, which was part of living out our fantasies as teenage Nirvana fans, getting to record where Nevermind was made. But I think we toured Free All Angels so much in the States, and we were sharpening up as a live rock band, and that really fed into the music. And I guess bands like Queens of the Stone Age had emerged as well, and we loved the playing. Rick was all about Dave Grohl’s drumming on that one album of theirs [Songs For The Deaf]. So we were quite influenced by that stuff and all the time we spent in America. Also I think it was written pretty fast, after being so burnt out from touring, so it’s not quite as song-focused as some as the other records.”
Twilight of the Innocents
“This was a record we put out and said it was going to be our last one. I guess it didn’t quite connect with radio the way the other albums had. I’m really proud of it though because it was our first self-produced record and the first one we made after setting up our studio in New York. We put a lot of work into it and I’m particularly proud of the final track on the record, the title track, which was always monumental to play live. We got to work with Paul Buckmaster on the string arrangements for that song.”
“We don’t play much of it live so we forget what it’s like, but there are some really cool sounds, some really cool songs. Maybe if two of the songs were better it’d be an absolute blinder. It starts really great with “Projects” and “Jesus Says. If we put “A Life Less Ordinary” it would’ve done well, because that was the in-between single. It never found a home on a record. Looking back, I think that’s one of my big regrets. That would have been a good move. Nestling it between tracks two and three, it would’ve been fantastic.”
“It was experimental in both the method of release and the music we were doing. We were trying to surprise people every two weeks with a different style, but it was such a big challenge. It was really exciting and a very creative time. Definitely the hardest I’ve ever worked in the studio. We were also self-releasing, so that was crazy. We were completely winging it all the time. And we did vinyl for every single, every two weeks. Part of the idea was that it’d be digital, but because we did the seven-inches we needed two months lead time to press the vinyl, so that made things quite hairy at some points. We also did a subscription service, which was quite interesting. Our big dream was to go top 40 every two weeks. I think if we only had 2,000 more subscribers we would have done that, but we came quite close. That was the kind of statement I really wanted to make.”
“I’m most excited about it this minute so I’d like to put it first but I’ve got give it a bit of time. I’m going with tried and tested at the top of the pile. I feel it’s got the essence of what’s best about Ash. I think because we’d gone away from making albums for a while. I’d definitely felt the pressure of living up to 1977 and Free All Angels, in the sense that there needed to be stronger songs. I spent a long time focusing on songwriting. I think there’s a sense of nostalgia and looking back on songs like “Hedonism” and “Bring Back The Summer.” I think you can still hear we’re having fun. That’s part of the reason why we called it Kablammo!—we wanted it to be a fun and exciting pop record.”
Free all Angels
“It’s not quite as noisy as the previous two, but it’s up-tempo and rocking. Alan Moulder mixed it, so it has a slightly more posh sound. I think it has a great bunch of songs, a great bunch of singles on it. Some of our defining songs are on there. It was kind of a hard time after the Britpop scene fell away, pretty much all of the UK indie bands were flopping with their follow-up records and then getting dropped. If this record hadn’t been a success it probably would’ve been the end of our career. I knew I had to get back into the pop style of writing, like I did on 1977, because I thought that is what we hadn’t pushed enough on Nu-Clear Sounds. That was the one thing that was missing, definitely.”
“I guess it’s the album we play most songs from, so we’re still very much in touch with it. A lot of the songs are what defined us and how people view us. I’m very proud of it because of how old I was when I wrote it. Some of the songs are simple, but some are clever and I’m surprised when I look at them. We still play a lot of it live and it stands up with everything we’ve done.”